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The Woodstock 50 Lineup Includes J-Z, the Killers and More

The Woodstock 50 lineup boasts a mix of legacy talent as well as some of the hottest names of the moment, enhancing its appeal across age demographics.

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The Woodstock 50 Lineup Is out and It's as Good as You Thought
PHOTO | Woodstock50.com
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The Woodstock 50 lineup has been released and, to put it as simply as possible, it’s jam-packed with star power in an eclectic mix of hip-hop, classic rock and pop acts.

Some of the most notable names on the list include Jay-Z, Chance the Rapper, Earl Sweatshirt, Miley Cyrus, Halsey, Black Keys, the Killers, along with acts like Santana, Canned Heat, John Fogerty and Dead and Company who played at the famous original 1969 festival.

Woodstock co-founder Michael Lang announced this week that over 40 acts will get up on the three stages at near Watkins Glen, New York and perform, saying in a statement, “We’ve lined up artists who won’t just entertain but will remind the world that music has the power to bring people together, to heal, to move us to action and to tell the stories of a generation.”

Lang talked glowingly about his new lineup, telling Rolling Stone, “It’ll be hip-hop and rock and some pop and some of the legacy bands from the original festival.”

He also confirmed that they’re planning tributes for famous legacy acts from the original festival like Janis Joplin, The Band, Jefferson Airplane and Joe Crocker.

Despite the incredible looking line-up, long-time Woodstock fans might find themselves asking what’s different about this time around compared to the disastrous 1999 festival, where water was scarce, bathrooms were inadequate, bonfires were set and, most unfortunately of all, people were sexually assaulted.

 

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Lang assured Rolling Stone that things would be different this time around, however.

“There will be ‘glamping’ tents and stuff like that,” Lang told Rolling Stone. “There will be those types of experiences in various forms where there’s a real bed, and there’s a chair to sit in and a light bulb. There will also be easier access to portable toilets.”

Lang took personal responsibility in booking and selecting Woodstock 2019’s line-up this time around, a mistake he made in 1999.

“I shouldn’t have left the booking to others,” he said of Woodstock ‘99, which had the likes of Red Hot Chili Peppers, Metallica, Limp Bizkit, Kid Rock, and Creed. “Woodstock ’99 was just a musical experience with no social significance,” he added. “It was just a big party. With this one, we’re going back to our roots and our original intent. And this time around, we’ll have control of everything.”

Each day of the festival features at least one massive superstar act, giving fans a reason to stay, party and enjoy the atmosphere.

The festival is set for August 16 to 18 and tickets will go on sale April 22. For more information about the festival check out their website.

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Music

‘It Feels Good’: Snoop Dogg Buys Death Row Records

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Death Row Records
PHOTO | Vivien Killilea/Getty Images for Wonderbrett

Snoop Dogg is now the owner of Death Row Records. The purchase brings his career full circle, as the legendary rapper now owns the label where his career in the music industry began.

“I am thrilled and appreciative of the opportunity to acquire the iconic and culturally significant Death Row Records brand, which has immense untapped future value,” Snoop Dogg said in a statement. “It feels good to have ownership of the label I was part of at the beginning of my career and as one of the founding members. This is an extremely meaningful moment for me.”

Snoop Dogg added that he was “looking forward to building the next chapter of Death Row Records.”

Blackstone, Inc. BX, -8.15 percent, a private-equity firm that held the remnants of the record label as part of MNRK Music Group, announced the sale on Wednesday. The terms of the agreement were not made public.

In a statement to People, Blackstone’s Senior Managing Director David Kestnbaum said of the deal, “We at Blackstone are strong supporters of the artist and creator community in our entertainment investments. We are excited to put the Death Row Records brand back in the hands of a legend like Snoop Dogg. We wish him success in the years ahead as the brand moves forward under his leadership and vision.”

Dr. Dre and Suge Knight co-founded Death Row Records with record executive Dick Griffey in 1991. Snoop’s debut Doggystyle was released in 1993.

Death Row Records fell on hard feet after a remarkable run in the 1990s. In 2006, the label declared bankruptcy before being purchased by WIDEawake Entertainment Group in 2009. Due to WIDEawake’s insolvency, the label was sold to eOne Music in 2013. Until eOne was purchased by Blackstone in 2021, Death Row Records was a branch of Hasbro.

The Doggfather is set to release his new album B.O.D.R., an acronym for “Bacc On Death Row,” on the 12 February ahead of his appearance alongside Dr. Dre, Eminem, Kendrick Lamar, and Mary J. Blige at this year’s Super Bowl Halftime Show on Sunday. He called “a dream come true” during a recent interview with the Associated Press

“I’m still thinking I’m in a dream because I can’t believe that they will let a real hip-hop artist grace the stage in an NFL Super Bowl LVI,” the rapper-turned-mogul explained. “We’re just going to wait for that moment and put something together that’s spectacular, and do what we’re known for doing and add on to the legacy.”

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Music

Major Record Labels to Become Carbon Neutral by 2050

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Three major record labels — Sony, Universal, and Warner — have made a pledge to cut carbon emissions in half by 2030 and achieve net-zero emissions by 2050, joining a slew of independent labels that have set similar or more aggressive goals. Following the Secretly label group’s pledge last week to be “climate positive” by 2026, the major labels joined indies like Beggars Group, Warp, and Ninja Tune to sign the Music Climate Pact, which addresses activities like touring, vinyl manufacturing, and music streaming that are currently unsustainable in terms of carbon emissions.

Aside from the emissions reductions, the signatories pledge to track and reduce subsidiary emissions related to music listening and fandom, encourage artists to discuss the climate crisis, and collaborate with streaming companies to track and reduce subsidiary emissions related to music listening and fandom.

Beggars Group and Ninja Tune made similar commitments earlier this year, with the latter aiming towards carbon neutrality by the end of 2021. Massive Attack completed a climate analysis in September, recommending “an immediate and major reassembly” of the industry.

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Billie Eilish Makes History at the 62nd Annual Grammy Awards

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62nd Annual Grammy Awards
PHOTO | Frederic J. Brown

A cloud of sadness hung over the 62nd Annual Grammy Awards, as news developed of the tragic deaths of NBA legend Kobe Bryant, his daughter Gianna and seven others in a helicopter crash near Los Angeles on January 26. Outside the Staples Center, home of Bryant’s team the Lakers, arrivals took place on the red carpet as mourners gathered outside the arena to pay their respects.

The night kicked off with a solemn Cappella tribute to Bryant of “It’s So Hard to Say Goodbye to Yesterday” by host Alicia Keys and Boys II Men.

Billie Eilish dominated the night, winning Best New Artist, Song of the Year, Album of the Year, Record of the Year and Best Pop Vocal Album categories. Eilish, 18, is the youngest Album of the Year winner in Grammy history. She is also just the second artist in Grammy history — and the first woman — to take home the Big Four awards.

Lizzo took home the Best Pop Solo Performance, Best Traditional R&B Performance, and Best Urban Contemporary Album trophies.

Lil Nas X picked up two awards for Best Music Video and Best Pop Duo/Group Performance.

Tyler, the Creator took home his first Grammy award for Best Rap Album.

The late rapper Nipsey Hussle was recognized posthumously with two awards for Best Rap Performance and Best Rap/Sung Performance.

Record of the Year

Billie Eilish, “Bad Guy”

Album of the Year

Billie Eilish, When We All Fall Asleep, Where Do We Go?

Best New Artist

Billie Eilish

Song of the Year

Billie Eilish — “Bad Guy”

Best Rap/Sung Performance

DJ Khaled feat Nipsey Hussle & John Legend — “Higher”

Best Rap Album

Tyler, the Creator — Igor

Best Pop/Solo Performance

Lizzo — “Truth Hurts”

Best Pop Vocal Album

Billie Eilish — When We All Fall Asleep, Where Do We Go?

Best Traditional Pop Vocal Album

Elvis Costello & The Imposters — Look Now

Best Pop Duo/Group Performance

Lil Nas X feat Billy Ray Cyrus — “Old Town Road”

Best R&B Album

Anderson .Paak — Ventura

Best Urban Contemporary Album

Lizzo, Cuz I Love You (Deluxe)

Best R&B Song

PJ Morton feat JoJo — “Say So”

Best Traditional R&B Performance

Lizzo — “Jerome”

Best R&B Performance

Anderson .Paak feat Andre 3000 — “Come Home”

Best Rock Album

Cage The Elephant — Social Cues

Best Rock Song

Gary Clark Jr — “This Land”

Best Rock Performance

Gary Clark Jr — “This Land”

Best Rap Song

21 Savage feat J Cole — “A Lot”

Best Rap Performance

Nipsey Hussle feat Roddy Ricch & Hit-Boy — “Racks in the Middle”

Best Music Film

Beyonce — Homecoming

Best Music Video

Lil Nas X feat Billy Ray Cyrus — “Old Town Road”

Best Country Duo/Group Performance

Dan + Shay — “Speechless”

Best Comedy Album

Dave Chappelle — Sticks & Stones

Best Song Written for Visual Media

Lady Gaga & Bradley Cooper— “I’ll Never Love Again”

Best Compilation Soundtrack for Visual Media

Lady Gaga & Bradley Cooper — A Star is Born

Best Score Soundtrack for Visual Media

Chernobyl — Hildur Guðnadóttir

Best Song Written for Visual Media

“I’ll Never Love Again” (Film Version) — Natalie Hemby, Lady Gaga, Hillary Lindsey & Aaron Raitiere (Lady Gaga and Bradley Cooper, A Star Is Born)

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)

Becoming — Michelle Obama

Best Instrumental Composition

“Star Wars: Galaxy’s Edge Symphonic Suite” — John Williams, composer (John Williams

Best Remixed Recording
“I Rise (Tracy Young’s Pride Intro Radio Remix)— ” Tracy Young (Madonna)

Best Dance Recording

“Got to Keep On” — The Chemical Brothers

Best Dance/Electronic Album

No Geography — The Chemical Brothers

Best Country Solo Performance

“Ride Me Back Home” — Willie Nelson

Best Country Song

“Bring My Flowers Now” — Brandi Carlile, Phil Hanseroth, Tim Hanseroth and Tanya Tucker (Tanya Tucker)

Best Country Album

While I’m Livin’ — Tanya Tucker

Best Rap Performance

“Racks in the Middle” — Nipsey Hussle featuring Roddy Ricch & Hit-Boy

Best Rap Song

“A Lot” — Jermaine Cole, Dacoury Natche, 21 Savage & Anthony White, (21 Savage featuring J. Cole

Best Recording Package

Chris Cornell — Barry Ament, Jeff Ament, Jeff Fura & Joe Spix, art directors (Chris Cornell)

Best Boxed or Special Limited Edition Package

Woodstock: Back To The Garden – The Definitive 50th Anniversary Archive — Masaki Koike, art director (Various Artists)

Best Album Notes

Stax ’68: A Memphis Story — Steve Greenberg, album notes writer (Various Artists)

Best Historical Album

Pete Seeger: The Smithsonian Folkways Collection — Jeff Place & Robert Santelli, compilation producers; Pete Reiniger, mastering engineer (Pete Seeger)

Best Engineered Album, Non-Classical

When We All Fall Asleep, Where Do We Go? — Rob Kinelski & Finneas O’Connell, engineers; John Greenham, mastering engineer (Billie Eilish)

Best Immersive Audio Album

Lux — Morten Lindberg, immersive audio engineer; Morten Lindberg, immersive audio mastering engineer; Morten Lindberg, immersive audio producer (Anita Brevik, Trondheimsolistene & Nidarosdomens Jentekor)

Best New Age Album

Wings — Peter Kater

Best Bluegrass Album

Tall Fiddler — Michael Cleveland

Best Traditional Blues Album

Tall, Dark & Handsome — Delbert McClinton & Self-made Men

Best Contemporary Blues Album

This Land — Gary Clark Jr.

Best Folk Album

Patty Griffin — Patty Griffin

Best Regional Roots Music Album

Good Time — Ranky Tanky

Best Reggae Album

Rapture — Koffee

Best Children’s Music Album

Ageless Songs For The Child Archetype — Jon Samson

Best Contemporary Instrumental Album

Mettavolution — Rodrigo y Gabriela

Best Arrangement, Instrumental or A Cappella

“Moon River” — Jacob Collier, arranger (Jacob Collier)

Best Arrangement, Instruments and Vocals

“All Night Long” — Jacob Collier, arranger (Jacob Collier Featuring Jules Buckley, Take 6 & Metropole Orkest)

Best Improvised Jazz Solo

“Sozinho” — Randy Brecker, soloist

Best Jazz Vocal Album

12 Little Spells — Esperanza Spalding

Best Jazz Instrumental Album

Finding Gabriel — Brad Mehldau

Best Large Jazz Ensemble Album

The Omni-American Book Club – Brian Lynch Big Band

Best Latin Jazz Album

Antidote — Chick Corea & The Spanish Heart Band

Best Gospel Performance/Song

“Love Theory” – Kirk Franklin; Kirk Franklin, Songwriter

Best Contemporary Christian Music Performance/Song

“God Only Knows” — for King & Country & Dolly Parton; Josh Kerr, Jordan Reynolds, Joel Smallbone, Luke Smallbone & Tedd Tjornhom, songwriters

Best Gospel Album

Long Live Love — Kirk Franklin

Best Contemporary Christian Music Album

Burn The Ships — for King & Country

Best Roots Gospel Album

Testimony — Gloria Gaynor

Best Latin Pop Album

#ELDISCO — Alejandro Sanz

Best Latin Rock, Urban or Alternative Album

El Mal Querer – Rosalía

Best Regional Mexican Music Album (Including Tejano)

De Ayer Para Siempre — Mariachi Los Camperos

Best Tropical Latin Album

Opus — Marc Anthony (TIE)

Best Engineered Album, Classical

Riley: Sun Rings — Leslie Ann Jones, engineer; Robert C. Ludwig, mastering engineer (Kronos Quartet)

Producer Of The Year, Classical

Blanton Alspaugh

Best Orchestral Performance

“Norman: Sustain” — Gustavo Dudamel, conductor (Los Angeles Philharmonic)

Best Opera Recording

“Picker: Fantastic Mr. Fox” — Gil Rose, conductor; John Brancy, Andrew Craig Brown, Gabriel Preisser, Krista River & Edwin Vega; Gil Rose, producer (Boston Modern Orchestra Project; Boston Children’s Chorus)

Best Choral Performance

“Duruflé: Complete Choral Works” — Robert Simpson, conductor (Ken Cowan; Houston Chamber Choir)

Best Chamber Music/Small Ensemble Performance

“Shaw: Orange” — Attacca Quartet

Best Classical Instrumental Solo

“Marsalis: Violin Concerto; Fiddle Dance Suite” — Nicola Benedetti; Cristian Măcelaru, conductor (Philadelphia Orchestra)

Best Classical Solo Vocal Album

Songplay — Joyce Didonato; Chuck Israels, Jimmy Madison, Charlie Porter & Craig Terry, accompanists (Steve Barnett & Lautaro Greco)

Best Classical Compendium

The Poetry Of Places — Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producer

Best Contemporary Classical Composition

Higdon: Harp Concerto — Jennifer Higdon, composer (Yolanda Kondonassis, Ward Stare & The Rochester Philharmonic Orchestra)

Best Musical Theater Album

Hadestown — Reeve Carney, André De Shields, Amber Gray, Eva Noblezada & Patrick Page, principal soloists; Mara Isaacs, David Lai, Anaïs Mitchell & Todd Sickafoose, producers (Anaïs Mitchell, composer & lyricist) (Original Broadway Cast)

Best Metal Performance

“7empest” — Tool

Best Alternative Music Album

Father of the Bride — Vampire Weekend

Best World Music Album

Celia — Angelique Kidjo

Best American Roots Performance

“Saint Honesty” — Sara Bareille

Best American Roots Song

“Call My Name” — Sarah Jarosz, Aoife O’donovan & Sara Watkins, songwriters (I’m With Her)

Best Americana Album

Oklahoma — Keb’ Mo’

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