#cannabisaficionado

Music

Has the Woodstock 50th Anniversary Festival Been Canned?

Published

on

Woodstock 50
PHOTO | Hulton Archive
Advertisement Overdrive

The fate of the summer’s most hyped festival remains unclear after Woodstock 50 investors announced their decision to pull funding for the summer music event — and cancel it.

More than 100,000 people were expected to attend the event scheduled to take place at the original site at the Watkins Glen International Speedway in New York from August 16-18th.

The investors, the Dentsu Aegis Network, reported site readiness, capacity, and permit issues as reasons for the cancellation.

In a statement sent to Billboard on April 29th, the Network explained that, “despite our tremendous investment of time, effort and commitment, we don’t believe the production of the festival can be executed as an event worthy of the Woodstock Brand name while also ensuring the health and safety of the artists, partners and attendees.”

As a result, the statement continues, “Dentsu Aegis Network’s Amplifi Live, a partner of Woodstock 50, has decided to cancel the festival. As difficult as it is, we believe this is the most prudent decision for all parties involved.”

According to the same Billboard report, more than $30 million had already been spent on the event, which includes payments to artists on the line-up. Whether those artists are still contractually required to perform remains to be seen.

Michael Lang, Woodstock co-founder, and promoter, told CNN that the Network’s decision to cancel the event undermines the festival’s organizers.

“It is one thing to decide for oneself that it is best to move on, but it is entirely another thing to try and close the door on us,” he asserted, adding, “Woodstock never belonged to Dentsu, so they don’t have a right to cancel it.”

Lang publicly expressed interest in finding the remaining funding needed to move forward with Woodstock 50. However, since Dentsu announced it would pull the plug on the festival, Woodstock organizers filed a suit in the New York Supreme Court on May 8.

According to Rolling Stone, Lang  “[…] and other organizers requested an injunction that would, among other things, force Dentsu to hand over $17.8 million in disputed funds and continue work on the festival.” A hearing is scheduled to take place in New York on Monday, the site added.

The lineup was announced in early March and features headlining acts from both the Woodstock and modern eras.

The Killers, Jay-Z, Miley Cyrus, the Black Keys, and Halsey were just some of the artist set to perform alongside original Woodstock 1969 performers: John Fogerty, Santana, and Dead and Company.

Tickets for the three-day festival were set to go on sale on April 22. As of now, the Woodstock 50 official website reports that tickets will go on sale “soon.”

In the meantime, festival organizers remain hopeful: “Our intention holds firm. To deliver a world-class, once-in-a-lifetime festival to celebrate the 50th anniversary of Woodstock. To honor a cultural icon that changed the way we think about music and togetherness… and will do so again,” according to Woodstock.com.

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Music

Major Record Labels to Become Carbon Neutral by 2050

Published

on

Three major record labels — Sony, Universal, and Warner — have made a pledge to cut carbon emissions in half by 2030 and achieve net-zero emissions by 2050, joining a slew of independent labels that have set similar or more aggressive goals. Following the Secretly label group’s pledge last week to be “climate positive” by 2026, the major labels joined indies like Beggars Group, Warp, and Ninja Tune to sign the Music Climate Pact, which addresses activities like touring, vinyl manufacturing, and music streaming that are currently unsustainable in terms of carbon emissions.

Aside from the emissions reductions, the signatories pledge to track and reduce subsidiary emissions related to music listening and fandom, encourage artists to discuss the climate crisis, and collaborate with streaming companies to track and reduce subsidiary emissions related to music listening and fandom.

Beggars Group and Ninja Tune made similar commitments earlier this year, with the latter aiming towards carbon neutrality by the end of 2021. Massive Attack completed a climate analysis in September, recommending “an immediate and major reassembly” of the industry.

Continue Reading

Music

Billie Eilish Makes History at the 62nd Annual Grammy Awards

Published

on

62nd Annual Grammy Awards
PHOTO | Frederic J. Brown

A cloud of sadness hung over the 62nd Annual Grammy Awards, as news developed of the tragic deaths of NBA legend Kobe Bryant, his daughter Gianna and seven others in a helicopter crash near Los Angeles on January 26. Outside the Staples Center, home of Bryant’s team the Lakers, arrivals took place on the red carpet as mourners gathered outside the arena to pay their respects.

The night kicked off with a solemn Cappella tribute to Bryant of “It’s So Hard to Say Goodbye to Yesterday” by host Alicia Keys and Boys II Men.

Billie Eilish dominated the night, winning Best New Artist, Song of the Year, Album of the Year, Record of the Year and Best Pop Vocal Album categories. Eilish, 18, is the youngest Album of the Year winner in Grammy history. She is also just the second artist in Grammy history — and the first woman — to take home the Big Four awards.

Lizzo took home the Best Pop Solo Performance, Best Traditional R&B Performance, and Best Urban Contemporary Album trophies.

Lil Nas X picked up two awards for Best Music Video and Best Pop Duo/Group Performance.

Tyler, the Creator took home his first Grammy award for Best Rap Album.

The late rapper Nipsey Hussle was recognized posthumously with two awards for Best Rap Performance and Best Rap/Sung Performance.

Record of the Year

Billie Eilish, “Bad Guy”

Album of the Year

Billie Eilish, When We All Fall Asleep, Where Do We Go?

Best New Artist

Billie Eilish

Song of the Year

Billie Eilish — “Bad Guy”

Best Rap/Sung Performance

DJ Khaled feat Nipsey Hussle & John Legend — “Higher”

Best Rap Album

Tyler, the Creator — Igor

Best Pop/Solo Performance

Lizzo — “Truth Hurts”

Best Pop Vocal Album

Billie Eilish — When We All Fall Asleep, Where Do We Go?

Best Traditional Pop Vocal Album

Elvis Costello & The Imposters — Look Now

Best Pop Duo/Group Performance

Lil Nas X feat Billy Ray Cyrus — “Old Town Road”

Best R&B Album

Anderson .Paak — Ventura

Best Urban Contemporary Album

Lizzo, Cuz I Love You (Deluxe)

Best R&B Song

PJ Morton feat JoJo — “Say So”

Best Traditional R&B Performance

Lizzo — “Jerome”

Best R&B Performance

Anderson .Paak feat Andre 3000 — “Come Home”

Best Rock Album

Cage The Elephant — Social Cues

Best Rock Song

Gary Clark Jr — “This Land”

Best Rock Performance

Gary Clark Jr — “This Land”

Best Rap Song

21 Savage feat J Cole — “A Lot”

Best Rap Performance

Nipsey Hussle feat Roddy Ricch & Hit-Boy — “Racks in the Middle”

Best Music Film

Beyonce — Homecoming

Best Music Video

Lil Nas X feat Billy Ray Cyrus — “Old Town Road”

Best Country Duo/Group Performance

Dan + Shay — “Speechless”

Best Comedy Album

Dave Chappelle — Sticks & Stones

Best Song Written for Visual Media

Lady Gaga & Bradley Cooper— “I’ll Never Love Again”

Best Compilation Soundtrack for Visual Media

Lady Gaga & Bradley Cooper — A Star is Born

Best Score Soundtrack for Visual Media

Chernobyl — Hildur Guðnadóttir

Best Song Written for Visual Media

“I’ll Never Love Again” (Film Version) — Natalie Hemby, Lady Gaga, Hillary Lindsey & Aaron Raitiere (Lady Gaga and Bradley Cooper, A Star Is Born)

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)

Becoming — Michelle Obama

Best Instrumental Composition

“Star Wars: Galaxy’s Edge Symphonic Suite” — John Williams, composer (John Williams

Best Remixed Recording
“I Rise (Tracy Young’s Pride Intro Radio Remix)— ” Tracy Young (Madonna)

Best Dance Recording

“Got to Keep On” — The Chemical Brothers

Best Dance/Electronic Album

No Geography — The Chemical Brothers

Best Country Solo Performance

“Ride Me Back Home” — Willie Nelson

Best Country Song

“Bring My Flowers Now” — Brandi Carlile, Phil Hanseroth, Tim Hanseroth and Tanya Tucker (Tanya Tucker)

Best Country Album

While I’m Livin’ — Tanya Tucker

Best Rap Performance

“Racks in the Middle” — Nipsey Hussle featuring Roddy Ricch & Hit-Boy

Best Rap Song

“A Lot” — Jermaine Cole, Dacoury Natche, 21 Savage & Anthony White, (21 Savage featuring J. Cole

Best Recording Package

Chris Cornell — Barry Ament, Jeff Ament, Jeff Fura & Joe Spix, art directors (Chris Cornell)

Best Boxed or Special Limited Edition Package

Woodstock: Back To The Garden – The Definitive 50th Anniversary Archive — Masaki Koike, art director (Various Artists)

Best Album Notes

Stax ’68: A Memphis Story — Steve Greenberg, album notes writer (Various Artists)

Best Historical Album

Pete Seeger: The Smithsonian Folkways Collection — Jeff Place & Robert Santelli, compilation producers; Pete Reiniger, mastering engineer (Pete Seeger)

Best Engineered Album, Non-Classical

When We All Fall Asleep, Where Do We Go? — Rob Kinelski & Finneas O’Connell, engineers; John Greenham, mastering engineer (Billie Eilish)

Best Immersive Audio Album

Lux — Morten Lindberg, immersive audio engineer; Morten Lindberg, immersive audio mastering engineer; Morten Lindberg, immersive audio producer (Anita Brevik, Trondheimsolistene & Nidarosdomens Jentekor)

Best New Age Album

Wings — Peter Kater

Best Bluegrass Album

Tall Fiddler — Michael Cleveland

Best Traditional Blues Album

Tall, Dark & Handsome — Delbert McClinton & Self-made Men

Best Contemporary Blues Album

This Land — Gary Clark Jr.

Best Folk Album

Patty Griffin — Patty Griffin

Best Regional Roots Music Album

Good Time — Ranky Tanky

Best Reggae Album

Rapture — Koffee

Best Children’s Music Album

Ageless Songs For The Child Archetype — Jon Samson

Best Contemporary Instrumental Album

Mettavolution — Rodrigo y Gabriela

Best Arrangement, Instrumental or A Cappella

“Moon River” — Jacob Collier, arranger (Jacob Collier)

Best Arrangement, Instruments and Vocals

“All Night Long” — Jacob Collier, arranger (Jacob Collier Featuring Jules Buckley, Take 6 & Metropole Orkest)

Best Improvised Jazz Solo

“Sozinho” — Randy Brecker, soloist

Best Jazz Vocal Album

12 Little Spells — Esperanza Spalding

Best Jazz Instrumental Album

Finding Gabriel — Brad Mehldau

Best Large Jazz Ensemble Album

The Omni-American Book Club – Brian Lynch Big Band

Best Latin Jazz Album

Antidote — Chick Corea & The Spanish Heart Band

Best Gospel Performance/Song

“Love Theory” – Kirk Franklin; Kirk Franklin, Songwriter

Best Contemporary Christian Music Performance/Song

“God Only Knows” — for King & Country & Dolly Parton; Josh Kerr, Jordan Reynolds, Joel Smallbone, Luke Smallbone & Tedd Tjornhom, songwriters

Best Gospel Album

Long Live Love — Kirk Franklin

Best Contemporary Christian Music Album

Burn The Ships — for King & Country

Best Roots Gospel Album

Testimony — Gloria Gaynor

Best Latin Pop Album

#ELDISCO — Alejandro Sanz

Best Latin Rock, Urban or Alternative Album

El Mal Querer – Rosalía

Best Regional Mexican Music Album (Including Tejano)

De Ayer Para Siempre — Mariachi Los Camperos

Best Tropical Latin Album

Opus — Marc Anthony (TIE)

Best Engineered Album, Classical

Riley: Sun Rings — Leslie Ann Jones, engineer; Robert C. Ludwig, mastering engineer (Kronos Quartet)

Producer Of The Year, Classical

Blanton Alspaugh

Best Orchestral Performance

“Norman: Sustain” — Gustavo Dudamel, conductor (Los Angeles Philharmonic)

Best Opera Recording

“Picker: Fantastic Mr. Fox” — Gil Rose, conductor; John Brancy, Andrew Craig Brown, Gabriel Preisser, Krista River & Edwin Vega; Gil Rose, producer (Boston Modern Orchestra Project; Boston Children’s Chorus)

Best Choral Performance

“Duruflé: Complete Choral Works” — Robert Simpson, conductor (Ken Cowan; Houston Chamber Choir)

Best Chamber Music/Small Ensemble Performance

“Shaw: Orange” — Attacca Quartet

Best Classical Instrumental Solo

“Marsalis: Violin Concerto; Fiddle Dance Suite” — Nicola Benedetti; Cristian Măcelaru, conductor (Philadelphia Orchestra)

Best Classical Solo Vocal Album

Songplay — Joyce Didonato; Chuck Israels, Jimmy Madison, Charlie Porter & Craig Terry, accompanists (Steve Barnett & Lautaro Greco)

Best Classical Compendium

The Poetry Of Places — Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producer

Best Contemporary Classical Composition

Higdon: Harp Concerto — Jennifer Higdon, composer (Yolanda Kondonassis, Ward Stare & The Rochester Philharmonic Orchestra)

Best Musical Theater Album

Hadestown — Reeve Carney, André De Shields, Amber Gray, Eva Noblezada & Patrick Page, principal soloists; Mara Isaacs, David Lai, Anaïs Mitchell & Todd Sickafoose, producers (Anaïs Mitchell, composer & lyricist) (Original Broadway Cast)

Best Metal Performance

“7empest” — Tool

Best Alternative Music Album

Father of the Bride — Vampire Weekend

Best World Music Album

Celia — Angelique Kidjo

Best American Roots Performance

“Saint Honesty” — Sara Bareille

Best American Roots Song

“Call My Name” — Sarah Jarosz, Aoife O’donovan & Sara Watkins, songwriters (I’m With Her)

Best Americana Album

Oklahoma — Keb’ Mo’

Continue Reading

Music

Wiz Khalifa, Ty Dolla $ign, Lil Yachty Star in New ‘Sonic’ Music Video

Published

on

When you think of Wiz Khalifa, Ty Dolla $ign, Lil Yachty and Sueco the Child, what springs to mind? If your answer is Sonic the Hedgehog, you’re ahead of the curve.

The quartet has teamed up to record “Speed Me Up,” the lead song on the upcoming Sonic movie soundtrack. They appear in the just-released video as 8-bit avatars and sing about topics including Sonic’s pal Knuckles and the fast-moving world of their lives.

The video starts with Wiz blowing into a Sega Genesis game cartridge and, real talk, you’ll be hooked from there. He’s then transported to the pixelated world of Sonic the Hedgehog, teaming up with Sonic and his fellow rappers to collect rings, jam out in Sonic’s bedroom and take on the evil Dr. Robotnik, played by Jim Carrey.

The song is the first drop from the soundtrack by Atlantic Records.

Things haven’t been smooth sailing for the Sonic movie. The first trailer featured Coolio’s Gangsta’s Paradise, which felt really ill-fitting. The movie was scheduled for release in November 2019, but the initial rendering of everyone’s favorite blue hedgehog was met with less than positive feedback, leading to a design overhaul and a three-month delay on release. It’s now scheduled for release on February 14. Romantic!

Continue Reading

Trending

Join The Cannabis Aficionado Community!<br> <span>Join the Cannabis Aficionado community and receive all of the most relevant news geared towards our sophisticated enthusiast community.</span>

Copyright © Cannabis Aficionado 2021