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What the Big Winners Wore to the 2020 Academy Awards

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2020 Academy Awards
PHOTO | Christopher Polk
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After a notably predictable awards season, the 2020 Academy Awards delivered some unexpected twists and turns, with international talent taking home some big wins at the Dolby Theatre in Los Angeles, California.

The two stars most hotly tipped to win the best actor categories this year, Renée Zellweger for “Judy” and Joaquin Phoenix for “Joker,” did indeed take home their coveted prizes.

South Korea’s Bong Joon-ho’s comedy-drama “Parasite,” is the first foreign language to take the top prize and also the first South Korean film. It also took best director, best original screenplay and best international film. Previously, only 11 non-English language films have ever been nominated in the category.

New Zealand’s Taika Waititi has made history as the first Maori person to win an Oscar, taking home the gold statue for best adapted screenplay for his World War II “anti-hate” satire “Jojo Rabbit” — which he wrote, directed and starred in.

Joaquin Phoenix continued his stand against fast fashion by re-wearing the Stella McCartney suit he’s been wearing all season long.

“This man is a winner… wearing custom Stella because he chooses to make choices for the future of the planet. He has also chosen to wear this same Tux for the entire award season to reduce waste. I am proud to join forces with you,” tweeted Stella McCartney in praise of the actor’s stand.

Read on to see what the big six winners wore to the 2020 Academy Awards, as well as for the full list of winners.

Best Actor

Joaquin Phoenix in Stella McCartney, “Joker”

Best Actress

Renée Zellweger in Armani Privé, “Judy”

Best Supporting Actor

Brad Pitt in David Yurman jewelry, “Once Upon a Time in Hollywood”

Best Supporting Actress

Laura Dern in Armani, “Marriage Story”

Best Director

Bong Joon-ho, “Parasite”

Best Adapted Screenplay

Taika Waititi, in Dior Men and David Yurman jewelry, “Jojo Rabbit”

Best Animated Feature

Toy Story 4

Best Animated Short

Hair Love

Best Original Screenplay

Parasite

Best Adapted Screenplay

Jojo Rabbit

Best Live-Action Short

The Neighbours’ Window

Best Animated Short

Hair Love

Best Production Design

Once Upon a Time in Hollywood

Best Costume Design

Little Women

Best Documentary

American Factory

Best Documentary Short

Learning to Skateboard in a Warzone (If You’re a Girl)

Best Original Score

Joker

Best Original Song

I’m Gonna Love Me Again

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Fashion

The 2021 Met Gala Red Carpet: Weird, Wonderful & Political

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2021 Met Gala Red Carpet
PHOTO | VOGUE

The Met Gala Red Carpet was rolled out on the steps of the Metropolitan Museum of Art after a year off due to Covid-19. There were multiple show-stopping outfits from Lil Nas X while Kim Kardashian and her estranged husband Kanye West turned heads by dressing entirely in black, even their faces.

Amid the glamour, some guests highlighted social issues. The Democratic congresswoman Alexandria Ocasio-Cortez had ‘tax the rich’ written in red across the back of her white gown and the sports star Megan Rapinoe carried a clutch bag with the words ‘in gay we trust’.

What was your favorite look?

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Cactus Jack x Dior: The Creative Collab Between Kim Jones & Travis Scott Debuts in Paris

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Cactus Jack x Dior

For Dior’s Spring 2022 Menswear collection, Kim Jones continued his creative partnerships that fuse different artistic and cultural influences. This time it’s Grammy-nominated rapper, songwriter, producer, businessman and designer, Travis Scott. Titled Cactus Jack x Dior — after Scott’s label, Cactus Jack Records — the collection debuted during Paris Fashion Week on Friday.

Scott has been close to the brand for a while, modelling the Air Dior capsule collection that the French fashion house developed last year with Jordan Brand. Through his Cactus Jack Foundation, founded last year, he partnered with The New School’s Parsons School of Design to establish a fashion program, launching his own scholarship program for historically black colleges and universities.

“A conversation – between two friends, two cultures, and two different eras – results in a collection that explores the identities of a groundbreaking modern musician and the heritage of one of the leading Parisian couture houses,” Dior wrote in the show notes.

According to a press release announcing the partnership, Cactus Jack x Dior is “the first full Dior collection ever created with a musician for the house.”

The Cactus Jack Dior runway

The collection draws from the desert landscapes of Texas, a nod to both Scott’s home state and a place house founder Christian Dior visited when he brought his debut collection to the United States in 1947. According to the show notes, Texas was an unexpected destination for the founding couturier and the grand canyons and huge dusty deserts made a lasting impression. So too did the ethos and spirit of America – in his own words, ‘the zest for life and self-confidence’.

The models appear in a desert landscape dotted with a buffalo head, giant cacti, roses and mushrooms. Bit by bit, the desert transforms into a rose garden in a nod to Christian Dior’s family home.

The colour palette features a soothing mix of dull pinks, café browns, dusty greys, creamy whites and pale blues, with pops of black and electric green, across Jones’ signature mix of exquisite tailoring and sportswear-inspired separates, and featured hybrid hats designed by Stephen Jones.

The graphics seen throughout — on prints, on embroidery, on patches — are a mix of Scott’s drawings and images from the Dior archive. There’s also collaboration within the collaboration this season, on a line of shirts hand-painted by George Condo that will be auctioned off to fund scholarships for the next generation of creatives.

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What Anna Wintour’s Recent Promotion Means for Condé Nast Worldwide

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Anna Wintour’s recent promotion at Condé Nast just made the influential editor even more powerful.

On Tuesday, as part of a broader strategy revamp under CEO Roger Lynch, Condé Nast announced that Wintour will become the worldwide Chief Content Officer and Global Editorial Director of Vogue — giving her final say over publications in more than 30 markets around the world — while continuing her oversight of U.S. Vogue.

The promotion gives Wintour vision over all of Condé Nast’s titles worldwide and puts her in charge of all of Vogue’s 25 global editions, on top of her longtime role as editor in chief of Vogue U.S.

Wintour is regarded as one of the most influential women in fashion. She was named Vogue’s U.S. editor in 1988 and quickly became one of the most powerful tastemakers in the fashion industry, making stars of upcoming designers while forging deep relationships with the top fashion houses. She turned the magazine into Condé Nast’s biggest moneymaker, and in 2014 she was named the company’s U.S. artistic director. Last year she joined a global leadership team to advise on global content opportunities.

For decades she has been chairwoman of the Met Gala at New York City’s Metropolitan Museum of Art, and she inspired the character played by Meryl Streep in the 2006 film “The Devil Wears Prada.”

“Anna’s appointment represents a pivotal moment for Condé Nast as her ability to stay ahead in connecting with new audiences, while cultivating and mentoring some of today’s brightest talent in the industry, has made her one of media’s most distinguished executives,” said Lynch in a statement.

Wintour’s expanded role is part of the media and publishing company’s move to install editorial leaders with a global vision for most of its brands.

Edward Enninful, the most powerful Black editor at Condé Nast, was made the head of Vogue’s editions in Britain, France, Italy, Germany and Spain. Simone Marchetti will become the European editorial director of Vanity Fair, putting him in charge of its editions in France, Italy and Spain. The American and British versions of Vanity Fair will remain under the control of Radhika Jones.

Condé Nast also announced the appointment of global editorial directors of AD (Architectural Digest), Condé Nast Traveler and GQ, with the remaining global brands to follow in early 2021. According to the company, the new editorial structure will “ensure global consistency of the brands,” including on the video front in partnership with the Condé Nast Entertainment team.

It’s been a turbulent year for Anna Wintour and Condé Naste. Amid the Black Lives Matter movement, the veteran editor was called out over lack of diversity at Vogue and was criticised by members of her own staff for fostering a workplace that sidelined women of colour. In June, Wintour herself acknowledged she had made “mistakes” by not doing enough to elevate black voices on her staff. She likewise admitted she had published images and stories that now are viewed as racially and culturally “hurtful or intolerant.”

“Undoubtedly, I have made mistakes along the way, and if any mistakes were made at Vogue under my watch, they are mine to own and remedy and I am committed to doing the work,” Wintour told the New York Times in October.

The changes come at the close of a brutal year in the media world due to COVID-19 and the drop off of advertising, particularly in print, where Condé Nast still derives the bulk of its revenue. The pandemic dashed any hope for a revival. In April, the company cut pay and furloughed staffers. In mid-May, the worsening ad crisis forced layoffs of about 100 people.

Whispers that Wintour would leave Vogue had circulated at fashion-industry parties and gossip columns for years. However, the announcement of Anna Wintour’s recent promotion seems to have dispelled that rumour as she has once again survived another round of intense criticism and seemingly emerged stronger than ever.

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